When you’ve spent hours on end working on a file in your studio at home, after all the careful tweaking you put in you definitely want a mix that sounds exactly how you recorded it, don’t you? There’s no better way to do this than to have a studio monitoring set-up.
With more and more people constantly demanding for better and improved sound production, the rising need for high-tech audio equipment is inevitable. While the regular speaker unit will manage to impress the average listener with pushed treble, exaggerated bass, and overhyped midrange frequencies, studio monitors are ideally meant for professional audio production setups such as project, home, radio, television or recording, studios and filmmaking, where it’s extremely crucial to have accurate audio production.
Recently we reviewed some monitor speakers under $500 too and they may give a good sound quality but they are no match when it comes to the ones below. While there’s an unlimited variety of options available on the internet, these machines often cost quite a pretty penny, and you won’t want to go wrong with your purchase. With that said, hereinbelow are the best studio monitors under $1000. Take your pick.
Best Studio Monitors under 1000 Dollars!
Presonus R80 Review
Have you ever heard of ribbon tweeters before? Well, they use similar mechanics to what ribbon mics use. Ribbon tweeter drivers are usually made from aluminum vapor dispositions, which is several times thinner than the drivers found on dome tweeters. The Presonus R80 studio monitors feature this expensive ribbon tweeter. However, that’s not all. They combine these tweeters with an 8-inch Kevlar woofer to produce crystal clear sound quality. The extremely thin aluminum vapor diaphragm in the ribbon ensures a subtle frequency response.
Another reason why you’ll get such crystal clear sound is because of its 6.8-inch Air Motion Transformer technology. Furthermore, the R80 has an in-built two-way 150-Watt amplifier for each piece. These two-way amps are specifically designed to provide sufficient power to both the AMT and woofer. The distribution of power to the tweeter and woofer is 50Watt and 100Watt respectively.
From 40Hz to 22kHz, this unit will give you a frequency response that’s almost flat. It’s nowhere near what you’d get from a Yamaha product but it’s more than enough for your regular mixing needs. The very low frequency of 40Hz can easily manage kick drums and bass guitars. Its high frequencies can cover ranges not audible to the human ear and that’s quite impressive. It’s a perfect studio monitor for mixing because of its almost flat overall frequency response.
Also, if you’ve been a sound engineer for a while, then you probably know how hard it is in the mixing session when it comes time to balance human vocals. The R80 studio monitor provides a 2.6kHz crossover frequency. You get outstanding midrange capability, thus encouraging the accurate mixing of vocals.
- An AMT 6.8-inch Ribbon tweeter that encourages very subtle frequency response
- Compact size
- An almost flat frequency curve on the frequency response
- A very detailed high-end frequency
- Room placement adjustment knobs
- Wide stereo imaging
- Comes at a very competitive price
- Not for the newbie creator
- Not ideal for the rather tight and cramped spaces
Mackie HR624 Review (Readers also Like)
Most people know the Mackie brand for the digital and analog mixers they manufacture. However, they also make some other excellent professional audio equipment as well, such as audio interfaces, studio monitors, etc. Their HR624 is a mid-price mid-size studio monitor that’s valued under $1000. This monitor provides its users with all the features they’ll need for good mixing and monitoring. Its acoustic adjustment feature makes it adjustable to almost any environment.
Furthermore, its in-built damping feature provides users with noise-free sound quality that eliminates midrange artifacts. It also has a passive radiator that’s designed to provide articulate and tight bass extensions all the way down to 45Hz. This low, 45Hz, precise frequency is all thanks to a 6.7-inch low-distortion, high-precision LF transducer it features to help it deliver such. A one-inch ferrofluid-cooled, titanium dome tweeter helps offer accurate high and mid frequencies measuring up to about 22kHz.
This machine also has a 140Watt twin FR series amplifier- 40W for HF/100Watt for LF. This Mackie unit provides superb sound quality of almost 89dB SPL Sensitivity. The amplifier’s time-correction circuitry and onboard active crossovers help you hear both the lows and highs at the same time. The low-frequency transducers provide a frequency range from 45kHz to 6kHz. The high-frequency tweeters offer a range of 1.6kHz to 22kHz. This means that you’ll have access to sounds that range from 45Hz to 22kHz. The features make it one of the best studio monitors under $1000! There are cheaper options on the market too like speakers under a mere $100 but it doesn’t make sense to work on cheap monitors when you are supposed to provide with the highest quality possible. So, it is recommended to go with either this monitor or the one listed below.
- Provides a powerful and clear sound (140Watt Amplifier)
- Compact size
- A passive radiator that helps it provide an articulate and tight bass
- Zero-Edge-Baffle aluminum helps minimize diffraction
- More expensive compared to most of its competition
- Has a slightly high crossover frequency
Neumann KH 120A Review
Many creators all over the world absolutely adore these studio monitors, and a big reason for this is because Neumann has been providing their customers with quality products for quite a while now, and their speaker units are no different. The sound quality delivered by these monitors is right up there with the rest of them and you if have this machine, you can be sure to experience perfect mixing and recording sessions. The only downside they have is pricing. Having a pair will put you past the $1000 marker.
The KH120A has a 5.25-inch long-throw woofer that’s been given extra protection by being attached to a metal grill. This in-built composite sandwich long-throw cone bass driver piece that has been manufactured using Extremely Linear Force (ELFF) tech allows the speaker unit to deliver top-notch low and midrange sound. Even at high volumes, the Linear piston motor will help encourage extremely low harmonic distortion.
The one-inch alloy dome tweeters created using cutting-edge modeling tactics help minimize any non-linear distortions whilst still offering very accurate high frequencies. Furthermore, both the tweeters and woofers are magnetically shielded. This means that their sound won’t be affected even if the monitors are placed in the middle of a magnetic field.
- They deliver a very detailed and accurate sound
- Compact size
- A nearly flat frequency curve
- Acoustic adjustment buttons
- Perfect for the home studio
- Excellent aluminum build quality
- Only has one XLR input
- Is considerably pricier than the rest on this list
- Has a slightly low bass (52Hz)
Adam Audio A7X Review (Author’s Choice)
This award-winning speaker unit from Adam is well-known to be one of the more balanced and versatile studio monitors currently on the market. But, $1000 can only get you one studio monitor. Nonetheless, it still totally deserves to go for such a price. This studio monitor comes equipped with a ribbon tweeter and a separate 2-way amplifier units for the tweeter and low-frequency driver. The ribbon tweeters provide every high and mid-frequency sounds and the low-frequency driver offers a tight bass without getting your ears tired.
It’s seven-inch low-frequency driver, manufactured using glass fiber, rohacell and carbon, gives it the ability to produce a balanced and tight bass sound up to 42Hz, which is actually quite impressive and helps mixing bass lines so much easier. Its ribbon tweeters, which are German Handmade Precision X-ART, are magnetic suspension-based tweeters that respond to the slightest of frequencies and provides every high and mid-frequency sound detail.
It doesn’t use a 2-way amplifier; however, it’s got fully separated amplifiers for HF and LF driver. A 50Watt A/B amp is what’s used to drive the ribbon tweeter and the midrange and bass woofer is powered by a PWM 100watt amplifier. Both amps are capable of delivering 114dB SPL, which happens to be way more than what the other monitors listed here can do. Furthermore, the frequency response it delivers ranges from around 42Hz to 50kHz. This is also one of the broadest coverages of all the monitors on this list and is the best studio monitor under 1000 dollars on this list!
- Produces a tight and compact bass sound (42Hz)
- Powerful and clear sound quality (114dB SPL-150Watt)
- Ribbon tweeters that offer a detailed mid-high sound
- Flat frequency response
- Front bass reflex ports
- A bit bulky and not ideal for all home studios
Yamaha HS8 Review
This monitor speaker is manufactured by one of the world’s biggest music equipment producers- Yamaha. If you’re deeply in the music business, then you’ve definitely heard about this world-renowned brand probably once or twice before. For the past couple of years, the Yamaha HS8 has recorded the most sales when it comes to studio monitors that cost less than one-thousand bucks (you can get a single speaker for less than $300 but it is recommended to go with a pair)
The HS8 contains 8-inch drivers that offer an amazingly close listening feel while still giving the user top-notch sound quality for mixing. Its one-inch silk dome tweeter, that’s highly efficient, delivers outstanding high-resolution sound. The tweeter uses its thick waveguide tech to minimize vibration, which, in turn, results in a distortion-free and smooth high end. Furthermore, its powerful two-way 129Watt separate dedicated amplifier for both the tweeter and woofer makes it possible for this device to provide the user with accurate, distortion-free sound quality even when the volume is high.
If you’re a creator, then you know how important frequency response is when it comes to mixing. For the newbies, this is when the monitor delivers the sound frequency’s intensity curve. Flat curves are what you should always be looking for because that’s what signifies the perfect frequency response. This Yamaha has the ability to offer all the above mentioned which means next-level mixing capabilities.
- It’s high wattage amplifier and a big 8-inch woofer helps it deliver fantastic sound
- A tight bass sound with clear high and mid-frequency
- Awesome frequency responses with a frequency curve that’s nearly flat
- Competitively priced
- Not ideal for tight spaces
- Bass interferes slightly with mid-range
- Not for the newbie creator
JBL 308MKII Review
Everyone knows JBL and what they do, and bringing quality sound to the general public is one of the things they do best. Their 308P MKII monitors are some of the best you can get your hands on under one-thousand bucks (you can get a single speaker for around less than $200 but it is recommended to get a pair). JBL has claimed that their speaker unit provides neutral frequency responses across wide areas which allows the user to fine-tune their mixing even when they happen to be on off-axis listening mode. It also has a low-frequency Patented Slip Stream port to help provide superior bass responses.
Its eight-inch transducers give it the ability to produce bass frequencies as far down as 37Hz. These low-frequency transducers offer optimized transient responses, with lower harmonic distortions and lower frequency linearity. This results in a fantastic low and mid sound quality. Additionally, its one-inch soft-dome tweeter has the ability to offer sound frequencies of up to 24kHz.
Its in-built 112Watt Class-D Dual-Integrated, precisely manufactured amp will make sure the user gets the best possible sound for mixing. Because this is a 2-way amplifier, you’ll be getting a separate 56Watt power for the woofer and the same for the tweeter. This unit has the capability of delivering sound from up to 37Hz to 24kHz. The extended low-frequency transducer features allow it to provide 37Hz lows, which is ideal when it comes to movie scoring. The 24kHz high-frequency limit is also another sign of good monitor mixing. It has a 1800Hz crossover frequency, which happens to be slightly more than what ideally it’s supposed to be. However, this is a bit obvious because it uses Linkwitz-Riley 4th order acoustic technology.
- Neutral frequency response across wide areas
- Powerful and clear sound quality (112Watt Amplifier)
- Eight-inch low-frequency transducer
- JBL’s Image Control Waveguide technology
- Competitively priced
- Boundary EQ attenuation
- A little bit on the bulky side and can end up taking a lot of workspace
Conclusion – Which is the Best Studio Monitor under $1000?
And now we’ve come to the close of the article. What we’ve highlighted above are some of the best studio monitors out there that are valued under one-thousand dollars. Truth is, they’re all wonderful jewels that would make any sound engineer happy. With that said, unfortunately, there can only be one number one. In our opinion, the best studio monitor under 1000 bucks is undoubtedly the Adam Audio A7X. They provide the best sound quality and at a very good price. Now you know. So, what are you waiting for? Go get yours today.
These were some of the top studio monitors and some may find it out of their budget but trust us, this is the best stuff you can get and the output from these is worth every penny! Let us know in the comments what are your thoughts and how was your experience with the monitors above!